Dear Ireland – The Rock, Revisited

From April 28th – May 1st 2020 the Abbey Theatre broadcast fifty short monologues as an immediate response to COVID-19 and the first lockdown in Ireland.

The brief was simple, What should Ireland write on a postcard to itself? 

A whole year later, our newest group of Young Critics had the unique opportunity to revisit one of the pieces and watch it in isolation. Thanks to the generosity of the creators, the group had a private viewing of The Rock, written by Phillip McMahon and performed by Caoilfhionn Dunne.

We have a trio of short reviews from Anna Lynch,Evie Howard and Sarah Carolan for you to enjoy.

Image : Abbey Theatre

First up, Anna Lynch shares this review

The Rock by Phillip McMahon, part of the Dear Ireland project by the Abbey Theatre. Rating: ★★★★

The Rock poses to Ireland some uncomfortable questions, mainly how far have we as a society really come in terms of LGBTQ+ acceptance?

Written by Phillip McMahon and part of Abbey Theatre’s Dear Ireland project, The Rock is presented to us in the form of a video diary filmed by the only character. It’s recorded during a Covid-19 lockdown as a way of documenting the run-up to her wedding and to have as a keepsake for her future, but presently non-existent kids. We are privy to the troubles and turmoil the relationship between the character and her partner Carol have endured, see how internalised homophobia is still present in modern day Ireland and learn how important communication and co-operation are in relationships.

Caoilfhionn Dunne portrays the role of the angsty other half perfectly, capturing not only the essence of the lockdown madness, but also portraying the pressure of being a lesbian in Ireland. Taking into consideration the fact that the entire monologue is self-recorded and has no director, one has to applaud how smoothly the video runs.

The entire performance is intimate and personal, creating the illusion that the viewers are part of their lives. The script was outstanding, full of the Irish humour we all know and love. In particular, McMahon’s consistent references to rocks was extraordinarily clever when describing the feelings and thoughts of the character. It makes us think about how Irish views on the LGBTQ+ community and how indiscreet homophobia, even from loved ones, can have a profound impact on lives.

At times the monologue was perhaps spoken too fast, making it difficult to understand. However, overall, the short performance was excellent. This is definitely one to watch if you’re in the mood for some food for thought.

Anna is a member of Backstage Youth Theatre, Longford and a Youth Theatre Ireland Young Critic for 2021.

Evie Howard writes:

In this witty and realistic account of lockdown life in Ireland, Phillip McMahon tells an engaging and thought provoking story of a Dublin woman struggling with tradition, family, and identity.
 
The Rock was written as part of the Dear Ireland project, an initiative run by the Abbey Theatre in order to keep theatre alive during a nationwide lockdown. The idea is simple; 50 pieces written by 50 playwrights which were then self-taped by 50 actors. All the pieces were written with one theme in mind; ‘what should Ireland write on a postcard to itself?’
 
This theme is one that Phillip McMahon pulls off particularly successfully, raising a number of talking points about Irish society. In The Rock, we watch as the main character (played by Caoilfhionn Dunne) speaks directly into the camera in a way that feels very vulnerable and intimate. The piece is formatted as a video diary and we learn that she has proposed to her girlfriend and since revoked her proposal, telling a story of self-doubt and relationship troubles relatable to many. She also tells of problems with family, as she struggles to rebuild bridges with her homophobic mother. McMahon manages to pack a lot of information into the short few minutes of this piece of theatre while still keeping the dialogue natural, and Dunne makes a great performance, keeping consistent energy throughout.
 
As for negatives, of which there are few, the dialogue can be difficult to understand at times, especially for those unfamiliar with the Dublin accent, and the background is bland and can be distracting, but these issues are minor, and given The Rock was self-taped under unique circumstances, it can be forgiven. Overall, well worth the watch and I would recommend seeking it out should the opportunity to view it arise again.

Evie is a member of WACT Youth Theatre in County Wexford and a Youth Theatre Ireland Young Critic for 2021.

Caoilfhionn Dunne Photo Credit: Ste Murray

Finally Sarah writes this review from April 30th.

The Rock- online performance for Dear Ireland- Abby theatre- written by Phillip McMahon- performed by Caoilfhionn Dunne

The rock is an insight into the stone cold society that we live in, with deep rooted beliefs that affect us more than we may think. A worthwhile watch that you, for sure, won’t take for granted.

The main character (played by Caoilfhionn Dunne) breaks the fourth wall, talking directly to the camera about her experience of lockdown through the format of a video diary. She tells us about the societal pressure she feels in everyday life and gives us an insight to how she makes decisions that affect her. She proposed to her girlfriend, but questioned what marriage meant to her. She tells us about the strain on the relationship with her mother, who has never fully accepted her sexuality.

Overall it was an extremely well put together piece. The subtlety of Caoilfionn’s performance was impeccable, to the point where it felt natural, as if she was talking to us through the diary. I also think the online medium was used to its fullest potential. Being able to adapt a story to the circumstances we find ourselves in, and not feel out of place, is a huge skill.

The design was simple and didn’t distract from the piece, but I wonder if a more cluttered backdrop could have reflected on the obstacles the characters have overcome.

With that said, it carries an extremely important message, making you examine the importance of “social norms” in today’s society.

Sarah Carolan is a member of Explore Youth Theatre, Leixlip, Co.Kildare and a Youth Theatre Ireland Young Critic for 2021.

An Audio review of Much Ado about Nothing by Killian Reid.

Our latest review sees a return to Rough Magic Theatre Company’s production of Much Ado About Nothing. It toured extensively throughout Ireland in 2019, so it’s no surprise to see it being reviewed again by our Young Critics.

This time, Killian from Longford offers us this audio review.

Rough Magic Theatre Company’s Much Ado About Nothing. Photo Credit: Ste Murray

https://anchor.fm/alan1102/embed/episodes/Much-Ado-About-Nothing—A-Review-by-Killian-Reid-eh316e

Check out an earlier review by Young Critic Máiréad here for comparison.

Killian is a member he is member of Backstage Youth Theatre and a Youth Theatre Ireland Young Critic for 2020.

Killian has been a member of Backstage Youth Theatre (BYT) for four years. Since joining BYT he has participated in many productions, including an annual panto and summer productions. In these productions Killian has worked alongside professional directors as an actor, musician, and stage manager. He enjoys all aspects of theatre and loves the fun of the yearly panto. He has taken part in movement and improvisation workshops and has most recently been selected as a member of the Backstage Theatre Young Critics project. Killian is excited to learn more about how theatre works, how it is created and how is analysed by working as a part of the Young Critics Programme. He is excited to meet more theatre loving people throughout his journey and cannot wait to discover how different people are impacted by theatre.

Introducing  Youth Theatre Ireland’s Young Critics 2020

The response to Youth Theatre Ireland’s call out for Young Critics this year was phenomenal. We received 45 applications from youth theatres all across the country. The standard of application was exceptionally high and we were lucky to be able to select 16 young people with a broad range of youth theatre experiences.

 

We are delighted to announce our cohort of Young Critics for 2020.

They are:

Sinead Barry, Lightbulb Youth Theatre, Mallow, Co. Cork.

Cathal Brace, Griese Youth Theatre, Co. Kildare.

Marc Cheevers, Explore Youth Theatre, Co. Kildare.

Sarah Cooney McCann, M.A.D. Youth Theatre, Dundalk, Co. Louth.

Emma Corrigan, Monaghan Youth Theatre.

Harry Eaves, Mr. Sands Youth Theatre, Bray, Co. Wicklow.

Dylan Gallagher, Leitrim Youth Theatre Company Carrick On Shannon.

Heather Jones, Giant Wolf Youth Theatre, Tallaght, Dublin.

Katie Lacey- Curtis, Making Waves Youth Theatre, Greystones, Co. Wicklow

Caitlyn Morrissey, Co. Wexford Youth Theatre.

Ellie O’Connell, Activate Youth Theatre, Cork.

Lórcan O’Shea, Kildare Youth Theatre. 

Ruairí Phelan, Dublin Youth Theatre.

Mairead Phelan, Free Radicals Youth Theatre, Tralee, Co. Kerry.

Killian Reid, Backstage Youth Theatre, Longford

Kai Ryan, Griese Youth Theatre, Co. Kildare.

We’re especially delighted to welcome members from three of our most recently affiliated youth theatres; Mr. Sands, Giant Wolf and Making Waves Youth Theatres, who will have members participating on Young Critics for the very first time.

In light of the current health emergency with COVID19, we’ve had to suspend our annual first meet up of the Young Critics in April. We hope to bring the group together later in the summer and then back again for the Young Critics Panel in October as part of the Dublin Theatre Festival.

We’d like to thank all the young people who applied, and all the youth theatres who supported their applications.

In the meantime, we will be introducing you to our young critics and publishing a selection of the critical responses across the Young Critics blog.

First up we have Heather Jones from Giant Wolf Youth Theatre based at the Civic Theatre in Tallaght. You can read her very insightful review of Howie The Rookie here on the Young Critics Blog.

A Well Crafted Pair of Shoes. An NAYD Young Critics Review by Marie Lynch

mainManInTheWomansShoes

In the run up to NAYD’s Young Critics Panel on Sunday Oct 4th as part of the Dublin Theatre Festival, we will be publishing a series of reviews from the Young Critics.

Over the summer months we asked the Young Critics to attend some shows in their own home venue. We asked them to make a short vlog review of the experience. We then asked a selection of them to turn these into written reviews. Dr. Karen Fricker offered some editorial advice. The second in our series of reviews looks at The Man In The Woman’s Shoes by Mikel Murfi 

The Man in the Woman’s Shoes by Mikel Murfi

Loco and Restless Productions (production originally commissioned by the Hawk’s Well Theatre and Sligo County Arts Office)

Backstage Theatre Longford

Reviewed by Marie Lynch

Don’t take the title too literally! This play, written, directed and performed by Mikel Murfi, is not simply about a man in women’s footwear. Rather it gives us a look into one person’s enlightening, endearing life. I’m not one to usually enjoy one-man show as I think they can feel more like a recitation than a play with little or no action. However, during this performance I was completely immersed.

Set in rural Ireland in 1978, the play focuses on Pat Farnon, a country cobbler. We see him make a simple five-mile journey to town and back. We meet a wide variety of colourful characters along the way such as the iconoclastic Kitsy Rainey and conventional Huby Patterson. But the hook of this play is – Pat Farnon cannot talk. Instead of hearing him converse with others, we hear his thoughts, hopes and aspirations.

I admired Murfi’s characterization and ability to change from one character to another in a split second. It was visually pleasing and never hard to follow and understand which character was speaking.

Mikel Murfi in

Mikel Murfi in “The Man in the Woman’s Shoes.” Credit Vitaliy Piltser

The characters were perfectly scripted and you felt as if you were actually meeting locals from the town. The story was simple and told with good old Irish humour but never felt cheesy. It had a nostalgic feel which strongly affected the audience. Pat’s enthusiasm for life radiated onto the spectators continually throughout his ups and downs.

The set was bare. The lights were kept to a minimum and the only sound effects were made by Murfi himself who can play a very convincing dog. The design overall could have been perhaps expanded but for me it worked the way it was. The decision to keep the staging of the production so minimalistic was a clever device as it in turn reflected Pat’s simple life. This added to the play on a whole.

While this play had no complex plotline, it was full of life lessons and I thoroughly enjoyed it and found it ultimately uplifting. Murfi had a continual optimistic outlook and celebrated the life of ordinary people. It is a play for all ages and all walks of life. The play hooks you in from start to finish and I would highly recommend it.

Marie Lynch is a member of Backstage Youth Theatre and an NAYD Young Critic 2015.

Backstage Theatre Longford kindly supported this event.

NAYD Young Critics Announced for 2015

Young Critics Applications

Following our call out for applications at the end of January, we are delighted to announce that  the Young Critics have been selected for 2015. We received a huge amount of applications for the 16 places from across the country and we were able to offer places to a broad selection of youth theatres nationwide.

The Young Critics for 2015 are:

Thomas Caffrey – Droichead Youth Theatre 

Dara Eaton – Co.Carlow Youth Theatre

Somhairle Brennan – Letterkenny Youth Theatre

David Ronan – Co. Wexford Youth Theatre

Ryan Doherty – Donegal Youth Theatre

Vinnie McBrien – LYTC Carrigallen

Maeve Doyle – Footsteps Youth Theatre

Christine McNamara- Footsteps Youth Theatre 

Aisling Clark – Duisigh Youth Theatre

Marie Lynch – Backstage Youth Theatre

Niamh Elliott Sheridan – Dublin Youth Theatre

Niamh Murphy – Co.Wexford Youth Theatre

Maryanne Brassil – Free Radicals Youth Theatre

Aisling Sargent – Dublin Youth Theatre 

The first weekend of Young Critics will be happening from April 10-12 and promises to be an action packed weekend of shows, workshops, discussions and fun.

The two productions we will be going to see are:

Pals – The Irish at Gallipoli by ANU productions, at the National Museum of Ireland, Collins Barracks. Directed by Louise Lowe.

And

Romeo and Juliet by William Shakespeare, at the Gate Theatre. Directed by Wayne Jordan.

Under the watchful eye of Dr. Karen Fricker and NAYD’s Alan King, the Young Critics will be guided through the elements of theatre and the art of criticism.

We will be keeping you posted about this year’s Young Critics as it happens.