Come join the Young Critics at Dublin Theatre Festival 2020

This year has been like no other, with a Young Critics programme to match.

Since June, eighteen young people from across Ireland have been honing their critical skills from the comfort and safety of their own homes.

Over the course of the Dublin Theatre Festival, the Young Critics will engage with several programmed events and will present their critical responses at this special online panel.

Join us online on Sunday Oct 11th at 4pm for a very special online event.

The Young Critics have been guided on their journey of critical discovery by our expert facilitators: Alan King in Dublin and theatre critic Dr. Karen Fricker in Toronto.

They have been working with digital tools for criticism for the last number of years and we hope that 2020 will showcase this like never before.

To book your place in our special limited capacity Zoom Room panel, please contact Alan King 

We will be live streaming the event to a wider audience though our social media channels.

Please follow us on YouTube and Facebook and Dublin Theatre Festvial here for more updates.

Every Day I Wake Up Hopeful – Reviewed by Ellie O’Connell

Ellie has been a member of Activate Youth Theatre for 3 years and has participated in a variety of workshops and productions in this time. She also has interest videography. She is thrilled to be taking part in the Young Critics Programme 2020, and can’t wait to meet new people and learn all about critiquing theatre!

Rough Magic’s Much Ado About Nothing reviewed by Máiréad Phelan

The 2020 iteration of Young Critics, has like most events globally, been deeply affected by the COVID19 pandemic.

Usually, at this time of year, we are all buzzing with Young Critics excitement. Our group would have met for the first time and had a great weekend together in Dublin.  As spring moves towards summer, the group would begin thinking about some of the great shows they could see in their local venues and start to make their critical reviews. None of that will happen this year.

In an effort to share the Young Critics experience with our readers we are running a selection of their initial reviews.

These reviews were submitted as part of their Young Critics application. As such, they represent the first steps on their Young Critics journey. We hope you enjoy them.

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Rough Magic Theatre Company’s Much Ado About Nothing. Photo Credit: Ste Murray

Our next Young Critic is Máiréad Phelan. She is member of Free Radicals Youth Theatre, based at Siamsa Tíre Theatre, Tralee, Co.Kerry.  Here she reviews Rough Magic Theatre Company’s touring production of Much Ado About Nothing. 

Towards the end of last year, on the 9th of November 2019, in the Siamsa Tíre Theatre in Tralee, Co. Kerry, I saw Rough Magic’s production of Much Ado About Nothing. It was very well advertised play; with an almost full house on the night I attended, with people of various age groups filling up the seats of the theatre.

At first, I was apprehensive of going. Shakespeare plays, to me, always seemed like drab, dull affairs due to my only experience being that of my Leaving Cert and Junior Cert required Shakespeare play, but Rough Magic blew me away with their incredible performance of Much Ado About Nothing.

Rough Magic took a modern approach to the classic drama-comedy, setting it in a colourful summer caravan park, with the character’s costume and roles updated for the modern era. This was, admittedly, a strange contrast to the Shakespearean English they were using, but I felt it just added to the wonderful, absurd humour that ran throughout the play.

Absurd, loud, colourful, and humorous seemed to be the main components of this play and the talented actors in Rough Magic pulled it off brilliantly. It was a crude and wacky play, with the introduction of outfits for the male actors and a hilarious dream sequence in which a character, Benedick, looses, his *ahem* Bene-dick. The prop they used, of course, was a sausage.

With a less talented cast, the script may have come across as too corny or in-your-face, but the talented actors in Rough Magic projected well, hit their lines and were wonderful both in the comedic scenes and the scenes that carried a bit more dramatic weight.

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Rough Magic Theatre Company’s Much Ado About Nothing. Photo Credit: Ste Murray

Two characters, who were both a comedic and a dramatic centrepiece, in my opinion, were Beatrice and the aforementioned Benedick. At the beginning of the play, both characters despised each other, but by the end, they were in deep love, though still bickered. The actors made this seem like a natural progression and were one of my favourite plot-threads in the play. It was hilarious and somehow, this entirely comedic play got me incredibly emotionally invested in the relationship and character dynamics.

Rough Magic’s Much Ado About Nothing was a gut-busting and surprisingly emotional play, with a highly talented cast. I would highly recommend both Rough Magic for its talented actors and clever use of modern settings, while Much Ado About Nothing for anyone looking for a feel-good play about love.

Máiréad Phelan. She is member of Free Radicals Youth Theatre and a Youth Theatre Ireland Young Critic for 2020.

Máiréad Phelan has been a member of Free Radicals Youth Theatre in Siamsa Tíre for 3 years now. During this time, she has done 6 stage performances and attended several workshops, centred on acting, writing and stage production. She immensely enjoys writing and does so in her (little) spare time. Mairead is looking forward to what she can learn from Young critics and to meet all new people who might share her interests, as well as seeing some hopefully interesting new shows.

Going Full Havisham by Emma Corrigan

The 2020 iteration of Young Critics, has like most events globally, been deeply affected by the COVID19 pandemic.

Ordinarily, our Young Critics would have met up for the first time over the Easter holidays, been introduced to each other and the art of criticism and seen some amazing shows together. Unfortunately, that couldn’t happen, as Ireland, like most countries worldwide, is under lockdown.

In an effort to share the Young Critics experience with our readers we are running a selection of their initial reviews.

These reviews were submitted as part of their Young Critics application. As such, they represent the first steps on their Young Critics journey. We hope you enjoy them.

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Irene Kelleher in Gone Full Havisham

Our next review comes from Emma Corrigan. She is a member of Monaghan Youth Theatre. and was lucky to catch Gone Full Havisham by Irene Kelleher at the Garage Theatre, Monaghan back in February.

Irene Kelleher plays “one tough little nut” Emily in Regina Crowley’s eye-opening Gone Full Havisham, shown in the Garage Theatre Monaghan, based on Dickens’ renowned novel.

The startling yet memorable performance left little to the imagination and the audience in complete shock from entering the theatre where Kelleher, the ex-bride lay in a state of lunacy until the end where Kelleher walks off-stage for the first time leaving an emotional and confused audience behind, metaphorically leaving her past life behind. As the story moves along Emily describes to us the trials and tribulations of her childhood it becomes coherent how inevitable it was that Emily would eventually lose the plot.

The piece written, exquisitely by Kelleher herself strategically displays the series of tragic events leading up to Emily’s ultimate downfall into mental turmoil. Although the hour-long play left me unsatisfied with the lack of conclusion and plenty of room for deeper character development. What did Emily and the audience gain from this experience?

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Irene Kelleher in Gone Full Havisham

The one-women show was pulled with style, to the extent where it felt as if there was a large cast on stage at times. The focus was on Emily for the entirety of the play. The directorial instruction to keep Kelleher centre stage was successful and had a long-lasting, profound effect on her performance, aiding my favourite climactic moment where Emily breaks all socially acceptable boundaries screaming “GET OUT!”. This worked because this moment was completely different compared to the rest of the play in terms of lighting, sound and facial expressions.

One aspect of production that stood out to me was the visual and lighting effects. The fact that Kelleher managed to take a classical, dated story and completely modernise it without ruining the plot is an art in itself. Lighting by Paul Denby and video and sound design by Cormac O’Connor really brought the production to a whole and more appealing level.

Kelleher and Crowley’s intimate bond is shown through her dignified facial expressions, body language and consistency throughout her long-lasting monologue.

It isn’t often that I would recommend a play this highly but the enthralling, captivating performance and plot opens a new world of emotions and underlying twists with each viewing.

Emma Corrigan is a member of Monaghan Youth Theatre and a Youth Theatre Ireland Young Critic for 2020

Emma Corrigan has been a member of Monaghan Youth Theatre for nearly 4 years. During this time, she has played a part in plays such as “The Patriot Game”, “Dear Chuck” and “Thirteen”. She particularly enjoys workshops based around devising and improvisation. Emma is a keen writer who looks forward to seeing and discussing shows alongside people like her looking to learn the art of theatre criticism.

 

Warhorse- Reviewed by Dylan Gallagher

The 2020 iteration of Young Critics, has like most events globally, been deeply affected by the COVID19 pandemic. So instead of bringing our group to Dublin for their first weekend together in April, we will be running a selection of their initial reviews.

These reviews were submitted as part of their Young Critics application. As such, they represent the first steps on their Young Critics journey. We hope you enjoy them.

 

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Credit: National Theatre

Next up, Dylan Gallagher, from Leitrim Youth Theatre Company Carrick On Shannon reviews The National Theatre’s Production of Warhorse. This production toured to the Bord Gáis Energy Theatre in April 2019.

 

 

 

Dylan Gallagher is a member of Leitrim Youth Theatre Company – Carrick On Shannon and one of Youth Theatre Ireland’s Young Critics for 2020.

Dylan has been in Carrick-on-Shannon youth theatre for 3 years now. Joining Youth theatre was a surprise his parents organised for him, as they knew he had a huge interest in acting from a young age. In his first year of youth theatre, He played the main protagonist of Terry Dumpton in The terrible fate of Humpty Dumpty.

During this time he has done many workshops on improvisation, acting and poetry. Dylan kept practising these skills such as poetry and reached the All Ireland semi-final of Poetry Aloud. In the second year of drama, Carrick-on-Shannon youth theatre was selected to go to Playshare 2019 where they performed Beetroot By Lucy Montague Moffatt. He played the role of Mike, the local bully. Throughout the year Carrick-on-Shannon youth theatre had many workshops with other drama facilitators of local drama groups, here Dylan learned many new skills from the different areas they specialized in. The same year Dylan tried out a new programme called the creative arts group. Dylan learned a new creative skill each week such as storytelling, scriptwriting, lighting and sound. This year he is playing the role of the magician in All Out and Over by Christina Matthews.

Dylan has been a YouTuber for over a year now. He usually posts gaming clips but is hoping to start recording short sketches and upload them to his channel. He also streams on twitch where he uses games to create roleplay scenes and tell stories.

He is planning on launching a podcast on Spotify in the near future where he will talk about a range of different topics from ghost stories to teen news.

He’s hoping Young Critics will help with his Leaving Cert comparative study. He will learn how to compare shows to a high standard. It will also help him to be able to voice his opinions which he will use online and offline.

Youth Theatre Ireland Announce ‘Young Critics Online’

To celebrate the announcement of the 2020 panel of Young Critics, Youth Theatre Ireland presents Young Critics Online for young people aged 16 and over. You can enter by sending a review of a performance you have seen recently or of a performance that you view online.

Youth Theatre Ireland Announce ‘Young Critics Online’

 

Youth Theatre Ireland urges young people who would like to try their hand at reviewing to send in a written, video or audio review. Three selected reviews will be published on the Young Critics Blog and one reviewer will get to attend the Young Critics panel at Dublin Theatre Festival in October, plus 2 tickets to a show of the winners choice at the Festival. Full details of how to make a submission can be found here.

Announcing Young Critics Online, Youth Theatre Ireland’s Director, Michelle Carew said, “Given the surge in availability of high-quality online theatre in response to COVID-19, this is a great time to offer a taster of the Young Critics programme to young theatre lovers across the country. We want this to be fun, and would urge young people to be as inventive in their critical responses as they can.”

Currently companies around the world, from Broadway to Londons West End, to the Royal Shakespeare Company and Irish National Opera, are making their content available to watch online for free, so there are lots of performances from which to choose.

For tools to help you with your review check out the resources at youngcritics.eu. These resources are designed to support young people in developing their understanding of theatre and their abilities as theatre critics. Developed by the Youth Theatre team and the respected theatre critic Karen Fricker, all content here has been further enhanced through a partnership with Youth Theatre Arts Scotland, with inputs from Scottish practitioners and young people. Both young people and practitioners can interact with a variety of content including video, animations, downloadable workshop plans, review samples and tips from the experts.

Youth Theatre Ireland has delivered a Young Critics Programme for well over a decade to hundreds of young people. Selected reviews will be announced at YouthTheatre.ie and social media channels. Closing date is 30 April at 5pm.

For more information and to apply, download the Young Critics Online Submission Form here.

This initiative is open to all young people aged 16+,* who are resident of the Republic of Ireland. You do not have to be a member of a Youth Theatre Ireland affiliated youth theatre.

*Not open to current or former Young Critics.

Podcast- Young Critics Panel Discussion 2019

The 2019 Young Critics met on Sunday Oct 13th at Project Arts Centre, Dublin, to discuss three shows as part of the Dublin Theatre Festival.

Listen to the full panel discussion here:

 

 

 

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Panel One. L-R, Sean Loughrey, Grace Sheehan, Clodagh Boyce, Aisling O’Leary

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Panel Two, Kevin Alyward, Fern Kealy, Maebh Bartley, Adam Dwyer & Óisin Tiernan

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Panel Three, Ruth Corrigan, Jessie Flynn, Sinead Mooney, Jeanette Michalopoulou & Susie Murphy Dooley

Fern Kealy talks about her Young Critics Experience with Youth Theatre Ireland

Fern Kealy is one of Youth Theatre Ireland’s Young Critics for 2019.

Fern recalls an action-packed first weekend spent with fellow Young Critics in Dublin from April 12-14th.

Fern Kealy  is a member of Kilkenny Youth Theatre 

Our Young Critics 2019 are:

Kevin Aylward- Limerick Youth Theatre

Maeve Bartley – Co.Limerick Youth Theatre

Clodagh Boyce- Dublin Youth Theatre

Ruth Corrigan – Mayo Youth Theatre

Susie Dooley – County Carlow Youth Theatre

Adam Dwyer – County Carlow Youth Theatre

Leah Farrell – Backstage Youth Theatre, Longford

Jesse Flynn – Dublin Youth Theatre

Fern Kealy – Kilkenny Youth Theatre 

Seán Loughrey – Droichead Youth Theatre, Drogheda, Co.Louth

Jeanette Michalopoulou – Sligo Youth Theatre

Sinéad Mooney – Kildare Youth Theatre

Aisling O’Leary –Act Out Youth Theatre, Navan, Co.Meath

Grace Sheehan – Activate Youth Theatre, Cork

Holly Roynane –Act Out Youth Theatre, Navan, Co.Meath

Oisín Tiernan – WACT Youth Theatre, Wexford

Young Critics 2019- Applications Now Closed

Young Critics is one of Youth Theatre Ireland’s most popular and innovative programmes. Over a six-month period, participants will see some incredible shows, make new friends and learn about the art of theatre criticism.

 

 

It is open to youth theatre members who are interested in watching theatre, discovering how and why theatre is made, and learning how to critically discuss, analyse, and review theatre.

During the programme, young people are given an opportunity to see quality productions while developing their critical skills under the mentorship of international theatre critic and academic, Dr. Karen Fricker, and Youth Theatre Ireland’s own Alan King.

This year the programme will include a particular focus on engaging with different forms of criticism. These will include writing reviews and developing blogs, making podcasts, creating video blogs, and much more.

Young critics has helped make new friends, learn to express my opinions, gave me insight to lots of different types of theatre and gave me the tools to voice my critiques in a number of ways. – Young Critic 2018

WHAT HAPPENS DURING THE YOUNG CRITICS?

The Young Critics will first meet in Dublin from Friday April 12th to Sunday April 14th and again from October 11th – 13th. Over the two weekends the Young Critics will attend at least four theatre productions, and participate in workshops and discussions, facilitated by the mentors.

In October, the group will meet up in Dublin again to see further productions, take part in more workshops and participate in a public panel event as part of the Dublin Theatre Festival.

In between the two residential weekends, the Young Critics will have the opportunity to see other productions and make critical responses through the use of digital technology.

The Young Critics will be supported by our professional mentors through workshops, tutorials and online support forums.

HOW DO I APPLY TO TAKE PART IN YOUNG CRITICS?

Applications are now closed.

Participation in the programme is totally free: accommodation, meals, theatre tickets and travel costs are covered by Youth Theatre Ireland.

It is open to youth theatre members who will be aged 16 – 20 by April 1st 2019. We are looking for young people who are comfortable meeting new people, working in a highly focused way and are willing to share their thoughts and opinions with each other. A love of theatre and an enthusiasm for engaging with digital tools are a bonus.

We will provide you with all the skills and tools needed to take part fully in the programme. To be a Young Critic you must be fully available for both weekends. You must also be available to take part in online discussions and see some theatre shows yourself between the two residentials.

Youth Theatre Ireland will have welfare leaders in place on both weekends to ensure the wellbeing and safety of all participants.

In order to offer individual advice and guidance on developing each young person’s critical skills, places on the programme are limited to a maximum of 16.

Please visit the Young Critics Resource Suite for lots of hints and tips on running a Young Critics Programme and creating critical responses.