Ellie has been a member of Activate Youth Theatre for 3 years and has participated in a variety of workshops and productions in this time. She also has interest videography. She is thrilled to be taking part in the Young Critics Programme 2020, and can’t wait to meet new people and learn all about critiquing theatre!
Continuing our series of reviews by this year’s Young Critics, we turn our attention to Dublin’s Gate Theatre. Known for its repertoire of classics, the 2019/ 2020 season saw productions of Tennesse Williams’ 1944 The Glass Menagerie alongside a new version of Medea by Kate Mulvany & Anna Louise Sarks after Euripides.
These reviews were submitted as part of their Young Critics application. As such, they represent the first steps on their Young Critics journey. We hope you enjoy them.
Katie Lacey Curtis from Making Waves Youth Theatre, Greystones, Co Wicklow, reviews Medea.
Recently I saw Medea at the Gate Theatre and it has quickly set itself as one of my favourite performances.
I was unsure of the play at the beginning as it was very static as the boys ‘played dead’ for about five minutes, but I was awoken when they began to play again, their energy filling the room as they ran around the stage as they played. Medea herself only appeared for around 20 minutes of the play in total, each time appearing more frantic and distraught than the last, which greatly added to the suspense as we were not the wiser as to when she would murder them.
The two boys were the perfect embodiment of the two brothers and whilst they fought we saw not long after how much they cared for each other and really got on. The boys singing ‘When I’m Sixty-Four’ brought a tear to my and many other’s eyes as we knew they would not live to be adults.
The use of set and lights also worked amazingly. As the boys passed in Medea’s arms the lights dimmed leaving a plethora of ‘stars’ behind them.
However, I did find that following Medea’s final monologue the play ended very abruptly, leaving little time for the room to breath and her last words to ring out.
Katie Lacey Curtis is a member of Making Waves Youth Theatre and a Youth Theatre Ireland Young Critic for 2020.
Katie has been a member of Making Waves Youth Theatre for 3 years since its founding in 2017. During these years she has taken part in both of their 2 shows and taken part in many workshops focusing on improvisation, movement and script work, as well as writing. She is looking forward to seeing a large range of shows, learning more about criticism in theatre and then getting the opportunity to properly critique them.
Marc Cheevers from Explore Youth Theatre, Leixlip, Co.Kildare turns his eye to The Glass Menagerie.
Last year, my youth theatre viewed a play called The Glass Menagerie in the Gate Theatre. It was a very well made production with each scene not only capturing my interest but also my curiosity. Its concept was simple. A family in 1940s America but the sister was crippled, so the family had to look out for her. The accents were quite solid, sometimes their natural accents would slip through but other than that, the acting was quite good. The costumes well suited the period and there was an excellent use of music. In the end, the family has torn apart and I cannot deny that I didn’t shed a tear. Overall, it was a thoroughly enjoyable piece and I would see it again.
Marc Cheevers is a member of Explore Youth Theatre and a Youth Theatre Ireland Young Critic for 2020.
Marc has been a member of Explore Youth Theatre for 1 1/2 years. He has been involved in a number of productions and improvised pieces. He is looking forward to viewing more productions and improving his critique skills.
Caitlyn Morrissey is a member of County Wexford Youth Theatre and a Youth Theatre Ireland Young Critic for 2020