Howie The Rookie – A Review by Heather Jones

The 2020 iteration of Young Critics, has like most events globally, been deeply affected by the COVID19 pandemic. So instead of bringing our group to Dublin for their first weekend together in April, we will be running a selection of their initial reviews.

These reviews were submitted as part of their Young Critics application. As such, they represent the first steps on their Young Critics journey. We hope you enjoy them.

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First up, Young Critic Heather Jones from Giant Wolf Youth Theatre reviews Howie The Rookie at the Civic Theatre in Tallaght. Presented by Glass Mask Theatre as part of a national tour, this review contains ***MAJOR SPOILERS*** for Howie The Rookie.

This delightfully emotional, witty, thought-provoking play by Mark O’Rowe is truly a sight to behold.

The play centres on two dual monologues – delivered by our main characters ‘the Howie Lee’ (Stephen Jones) and ‘the Rookie Lee’ (Rex Ryan), some of Ireland’s most exciting actors – taking the audience on an adventure of two individuals fighting for survival and meaning against a Dublin City pulsing with violence.

Some of the truly incredible elements of the show come in the form of delivery, lighting and sound design and its conspiracy ending.

The delivery by each actor is truly miraculous. The authenticity and immersive-ness of the performance allows for the play to envelop the audience in all elements of the plot, themes and believability of the characters. Even the delivery of the play’s major twists and turns are done so with ease by Jones and Rex. The physicality and recall of these extraordinary actors is unbelievable as well and is certainly commendable, admired and one of the most memorable attributes of the show.

But an actor can only be as good as their tools, and in this case the writing for this theatrical piece is remarkable. The play is structured in two acts, with each act as one monologue delivered by their respective character – Act One saw the ‘larger than life’, the Howie Lee, as the storyteller with Act Two, looking toward ‘the playboy’, the Rookie Lee, to pick up the torch. With each act capping in at nearly 50 minutes, the performances of Jones and Ryan are looked on with awe and admiration by their audience.

The lighting and sound design are other elements that resulted in such an incredible play. Due to set design – or lack thereof, with nothing but an empty stage for the actors to play with – every flicker of light or hum of a note was noticed by the eagle-eyed and elephant-eared viewer. All lighting arrangements were easily recognisable and clearly helped to establish the setting in the face-paced, ever-evolving story. Even the subtle music cues of soft filler music or cheesy love songs aided in the telling of a sensual, emotional story.

Finally, the mysterious ending. This is where the debate begins. What? That’s all I can say about it. Theories range from ‘he’s obviously dead’ to ‘it’s all in his head’. Regardless of what it all means, it truly is an intriguing ending. It is one that sticks with an audience as we are left to ponder and theorise, making the play memorable. For me personally, I would have liked a little more detail or sense of what it meant – as my friends and I were left flabbergasted and longed to know what the heck we had just seen. It definitely took a turn that both no one expected or understood.

Nonetheless, I really enjoyed the play and would encourage everyone to go and see it – but be warned, prepare to leave the theatre wondering what just happened.

Heather Jones is a member of Giant Wolf Youth Theatre and one of Youth Theatre Ireland’s Young Critics for 2020.

Heather has been a member of Giant Wolf Youth Theatre for just over a year.

She has loved every second of this experience and learned so much about herself and theatre as a whole. She has been involved in physical theatre, movement, stage combat, writing and general production workshops within her time in Giant Wolf. They, as a theatre, have done one major production called ‘Eggplant’, centred around teenage sexual relationships, sexual maturity and sexual education. She has participated in a European Youth Theatre Festival called ‘Intertwined’ in Cottbus, Germany.

Heather would love to gain more expertise and understanding of theatre from the Young Critics Programme. Having in-depth discussions is something she loves to do and getting to have those discussions on plays and theatre is like a dream come true for me. She’d love to become an actor or something within the world of drama when she’s older too and feels this programme will benefit her greatly.

She would also love to make new friends to last me a lifetime also. Getting to meet like-minded people who share common interests is always exciting and seldom seen. And seeing a few shows for free doesn’t sound too bad either.

Introducing  Youth Theatre Ireland’s Young Critics 2020

The response to Youth Theatre Ireland’s call out for Young Critics this year was phenomenal. We received 45 applications from youth theatres all across the country. The standard of application was exceptionally high and we were lucky to be able to select 16 young people with a broad range of youth theatre experiences.

 

We are delighted to announce our cohort of Young Critics for 2020.

They are:

Sinead Barry, Lightbulb Youth Theatre, Mallow, Co. Cork.

Cathal Brace, Griese Youth Theatre, Co. Kildare.

Marc Cheevers, Explore Youth Theatre, Co. Kildare.

Sarah Cooney McCann, M.A.D. Youth Theatre, Dundalk, Co. Louth.

Emma Corrigan, Monaghan Youth Theatre.

Harry Eaves, Mr. Sands Youth Theatre, Bray, Co. Wicklow.

Dylan Gallagher, Leitrim Youth Theatre Company Carrick On Shannon.

Heather Jones, Giant Wolf Youth Theatre, Tallaght, Dublin.

Katie Lacey- Curtis, Making Waves Youth Theatre, Greystones, Co. Wicklow

Caitlyn Morrissey, Co. Wexford Youth Theatre.

Ellie O’Connell, Activate Youth Theatre, Cork.

Lórcan O’Shea, Kildare Youth Theatre. 

Ruairí Phelan, Dublin Youth Theatre.

Mairead Phelan, Free Radicals Youth Theatre, Tralee, Co. Kerry.

Killian Reid, Backstage Youth Theatre, Longford

Kai Ryan, Griese Youth Theatre, Co. Kildare.

We’re especially delighted to welcome members from three of our most recently affiliated youth theatres; Mr. Sands, Giant Wolf and Making Waves Youth Theatres, who will have members participating on Young Critics for the very first time.

In light of the current health emergency with COVID19, we’ve had to suspend our annual first meet up of the Young Critics in April. We hope to bring the group together later in the summer and then back again for the Young Critics Panel in October as part of the Dublin Theatre Festival.

We’d like to thank all the young people who applied, and all the youth theatres who supported their applications.

In the meantime, we will be introducing you to our young critics and publishing a selection of the critical responses across the Young Critics blog.

First up we have Heather Jones from Giant Wolf Youth Theatre based at the Civic Theatre in Tallaght. You can read her very insightful review of Howie The Rookie here on the Young Critics Blog.

Fern Kealy talks about her Young Critics Experience with Youth Theatre Ireland

Fern Kealy is one of Youth Theatre Ireland’s Young Critics for 2019.

Fern recalls an action-packed first weekend spent with fellow Young Critics in Dublin from April 12-14th.

Fern Kealy  is a member of Kilkenny Youth Theatre 

Our Young Critics 2019 are:

Kevin Aylward- Limerick Youth Theatre

Maeve Bartley – Co.Limerick Youth Theatre

Clodagh Boyce- Dublin Youth Theatre

Ruth Corrigan – Mayo Youth Theatre

Susie Dooley – County Carlow Youth Theatre

Adam Dwyer – County Carlow Youth Theatre

Leah Farrell – Backstage Youth Theatre, Longford

Jesse Flynn – Dublin Youth Theatre

Fern Kealy – Kilkenny Youth Theatre 

Seán Loughrey – Droichead Youth Theatre, Drogheda, Co.Louth

Jeanette Michalopoulou – Sligo Youth Theatre

Sinéad Mooney – Kildare Youth Theatre

Aisling O’Leary –Act Out Youth Theatre, Navan, Co.Meath

Grace Sheehan – Activate Youth Theatre, Cork

Holly Roynane –Act Out Youth Theatre, Navan, Co.Meath

Oisín Tiernan – WACT Youth Theatre, Wexford

Young Critics 2019- Applications Now Open

Young Critics is one of Youth Theatre Ireland’s most popular and innovative programmes. Over a six-month period, participants will see some incredible shows, make new friends and learn about the art of theatre criticism.

 

 

It is open to youth theatre members who are interested in watching theatre, discovering how and why theatre is made, and learning how to critically discuss, analyse, and review theatre.

During the programme, young people are given an opportunity to see quality productions while developing their critical skills under the mentorship of international theatre critic and academic, Dr. Karen Fricker, and Youth Theatre Ireland’s own Alan King.

This year the programme will include a particular focus on engaging with different forms of criticism. These will include writing reviews and developing blogs, making podcasts, creating video blogs, and much more.

Young critics has helped make new friends, learn to express my opinions, gave me insight to lots of different types of theatre and gave me the tools to voice my critiques in a number of ways. – Young Critic 2018

WHAT HAPPENS DURING THE YOUNG CRITICS?

The Young Critics will first meet in Dublin from Friday April 12th to Sunday April 14th and again from October 11th – 13th. Over the two weekends the Young Critics will attend at least four theatre productions, and participate in workshops and discussions, facilitated by the mentors.

In October, the group will meet up in Dublin again to see further productions, take part in more workshops and participate in a public panel event as part of the Dublin Theatre Festival.

In between the two residential weekends, the Young Critics will have the opportunity to see other productions and make critical responses through the use of digital technology.

The Young Critics will be supported by our professional mentors through workshops, tutorials and online support forums.

HOW DO I APPLY TO TAKE PART IN YOUNG CRITICS?

Participation in the programme is totally free: accommodation, meals, theatre tickets and travel costs are covered by Youth Theatre Ireland.

It is open to youth theatre members who will be aged 16 – 20 by April 1st 2019. We are looking for young people who are comfortable meeting new people, working in a highly focused way and are willing to share their thoughts and opinions with each other. A love of theatre and an enthusiasm for engaging with digital tools are a bonus.

We will provide you with all the skills and tools needed to take part fully in the programme. To be a Young Critic you must be fully available for both weekends. You must also be available to take part in online discussions and see some theatre shows yourself between the two residentials.

Youth Theatre Ireland will have welfare leaders in place on both weekends to ensure the wellbeing and safety of all participants.

If you are interested in the programme, please download the  application form,fill out fully  and return by post only to:

Young Critics Programme, Youth Theatre Ireland, 7, North Great George’s Street, Dublin 1 by Thursday March 14th by 5pm.

If you need further information please contact Youth Theatre Ireland:
Office phone: 01 878 1301 or Email Alan King

In order to offer individual advice and guidance on developing each young person’s critical skills, places on the programme are limited to a maximum of 16.

Please visit the Young Critics Resource Suite for lots of hints and tips on running a Young Critics Programme and creating critical responses. 

Ulysses at the Abbey Theatre – Young Critic Review by Pippa Molony

It’s been a busy few months since the Young Critics last met in April as they have been honing their critical skills while seeing shows up and down the country.

With the Dublin Theatre Festival looming over the horizon, we reflect on some of the productions the Young Critics saw over the summer.

To whet your appetite for festival season, Young Critic Pippa Molony gives us this epic review of Ulysses at the Abbey Theatre

Elsewhere our Young Critics saw Pat Kinevane’s Silent, The Aspirations of Daise Morrow at the Black Box Theatre Galway, Asking for It and Wet Paint at the Everyman Cork, Mamma Mia on the West End, A Doll’s House at the Roscommon Arts Centre and the Deadly Wizard of Oz in Dundalk.

 We will be announcing the Young Critics picks for the Dublin Theatre Festival very soon along with details of the Panel discussion itself.

Pippa Molony is a member of Dublin Youth Theatre and a Youth Theatre Ireland Young Critic for 2018.