Town is Dead – A Podcast Review by NAYD Young Critic Méabh Hennelly

Way back in June, NAYD Young Critic Méabh Hennelly took a visit to the Peacock Theatre to view Town is Dead by Philip McMahon.

In this podcast Méabh is joined by her friend Isabel Horner to cast their critical eye on Town is Dead.

CREDITS

Méabh is an NAYD Young Critic for 2016 and a member of Dublin Youth Theatre. 

Méabh was also a participant in NAYD’S Watching the NationOnStage and this review is also posted on Watching the NationOnStage Blog.

Review of The State Of The Nation by NAYD Young Critic Rita Havlin

In the run up to the Young Critics Panel as part of the Dublin Theatre Festival on Oct 9th, we’ve been publishing a series of written reviews by our Young Critics.

In our final review, Rita Havlin from Donegal Youth Theatre reviews The State Of The Nation by Conor Malone

Reviewed 4 June, 2016
Written by Conor Malone, directed by Charlie Bonner
Balor Developmental Community Arts
Balor Arts Centre, Co. Donegal

The State Of The Nation is a political satire questioning Ireland’s progress since the 1916 Rising. The play is set during a poker game in the afterlife, during which four famous figures of Irish politics, Thomas Davies (James Lawne), Jim Larkin (Peter Byrne), Michael Collins (Cillian O’Gairbhí), and Charlie Haughey (Conal Gallen), discuss the changes in the country over the last hundred years and the issues it still faces. I found this to be a very interesting way to frame this debate, literally asking “Is this the Ireland the revolutionaries dreamed of?”

A simple set design helps the audience focus on the content of the play. The action takes place on a raised white platform around a large table; a hat stand and a sideboard with decanters of whiskey stand at either end of the platform. Dim lighting and smoke set the scene for a classic game of poker, while a green backlight gives a supernal feel. This worked extremely well in balancing the realistic with the non-naturalistic.

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Conal Gallen, James Lawne, Peter Byrne, Cillian O’Gairbhi in rehearsals for The State Of The Nation. Photo Credit: Mark Fearon

The actors did a superb job in balancing the speech and mannerisms of different points in history, making no word or action feel out of place while also managing to maintain realistic and strongly recognizable characters. Their only downfall, which was perhaps a fault of the play itself, was a lack of movement, as the actors only left the table to refill their whiskey.

Indeed the writing is where The State of the Nation falls short. The play is meant to be comedic, and while no lines fall completely flat and some earn a hearty laugh from the audience, many jokes are overused or too similar to previous ones, and quickly lose their punch. The play touches on many important issues such as government salaries and corruption, the introduction of water charges, and the cost of education, but brought up in such a short space of time each issue begins to sound the same and each discussion seems half-baked. There is no suggested solution for any issue, and so no debate feels complete before the play moves on to a new topic.

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Poster design by Alan Reid

Staged as part of the Donegal County Council’s 1916 Commemoration, the play aims to celebrate Ireland as the country grows and develops, which it does to a degree, but it felt a little too critical of the nation to do this fully. The play fails to address the rich culture and art that Ireland has to offer, or the ways in which Ireland has progressed farther than many countries, focusing instead on the country’s political failings. However I must compliment the cast and crew as this production, despite its weaknesses, left me feeling satisfied, appropriately patriotic, and chuckling as I left the theatre.

Come join Rita and all our Young Critics on October 9th at 1pm at Project Arts Centre. 

They will be critiquing three productions as part of Dublin Theatre Festival 2016. 

NAYD’S Young Critics hit Dublin for 1916/2016 by Jack Synnott

Young Critics was an absolutely unforgettable weekend filled with everything a theatre loving 16 year old could ask for.

NAYD Young Critics 2016

NAYD’s Young Critics 2016. Photo credit: Alan King

Upon arriving at the Marino Institute of Education, our temporary lodgings for the weekend, we were treated to two great introductory workshops with co-ordinator Alan King involving a wide variety of drama games, helping us to get to know each other. After that we had some enlightening discussions with the fantastic theatre critic and scholar Dr. Karen Fricker, about every aspect of theatre and criticism from the making of theatre and its function to the duties of the theatre critic.

We then journeyed back to the common rooms for some late night chats and cups of tea before we hit the proverbial sack to get some much needed rest.

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NAYD’s Young Critics enjoying the sunshine at The Marino Institute of Education. Photo credit: Alan King

The next morning we embarked on what was probably the most unexpectedly enjoyable part of the weekend: the research. This involved rooting through a variety of articles on the themes, settings, context and creative teams behind each of the two shows we would be seeing that afternoon.

This really helped us to get a solid grasp on what to expect from the plays and it was interesting to see the similarities and differences between the two. We also did some work on the differences between objectivity and subjectivity and the importance of description, through more drama games, which was a fun way to hone these invaluable skills.

That afternoon we took the bus into Dublin to see the first of our two plays, Sean O’Casey’s The Plough and the Stars on the Abbey Stage. This was a really interesting take on an Irish classic, with director Seán Holmes really pushing the boundaries and gleefully playing with our expectation of such a revered piece.

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Janet Moran (Mrs. Gogan) meets the Young Critics after the matinee of The Plough And The Stars. Photo credit: Alan King

Afterwards we had the honour of meeting Janet Moran, the actor who played Mrs. Gogan. Through our discussion with Janet we gained a huge insight into the play, and how many of its ideas took form throughout production.

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NAYD Young Critics enjoy some intense post show discussions over dinner. Photo credit: Alan King

After a brief excursion to the Jervis centre and a gorgeous dinner, we returned to the Abbey Theatre to take our seats for the new play showing on the Peacock Stage, Tina’s Idea of Fun by Sean P. Summers.

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NAYD’s Young Critics arrive at the Peacock Theatre for Tina’s Idea Of Fun. Photo credit: Alan King

Set against the backdrop of Queen Elizabeth the Second’s visit to Ireland in 2011, this very funny  play asked questions about modern day republicanism while simultaneously examining the difficulties of motherhood and the dangers of isolation.

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Cast of Tina’s Idea of Fun by Sean P.Summers. Photo credit: Ros Kavanagh

Andrew Connolly (Paddy), Sarah Morris (Edel),Keith Hanna (Dave), Josh Carey (Bundy), Hilda Fay (Tina) and Scott Graham (Aaron) in Tina’s Idea of Fun by Sean P. Summers. Directed by Conall Morrison.

Featuring excellent, honest performances and a subtle, quiet script, this piece directed by Conall Morrison was hugely enjoyable. Immediately afterwards we were treated to a Q and A with the entire cast, an amazing opportunity that was both great fun and incredibly informative.

We finished off our action packed day with a group selfie on the bus and the wonder of cake before we retired once again to bed.

Sunday, the final day of the weekend was filled with emotional goodbyes and happy reminiscing, but we still found time for two panel discussions, dissecting each of the previous day’s productions.

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A Young Critic’s thoughts on The Plough And The Stars. Photo credit: Alan King

This was a brilliant morning, as we really got to get into the meat of what we had seen, debating every element of each of the shows and occasionally being shown an entirely new angle on certain aspects. It was great to be able to discuss the plays in such detail, with a group of people just as interested in them as you, and I left that workshop with a much deeper understanding of the plays than I had going in.

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Dr. Karen Fricker listens on as NAYD Young Critic Jack Synnott gives his thoughts on the productions under discussion

All that was left was for us to learn our assignment for the summer, to create a video blog reviewing a production in our local venue, and to say our goodbyes. It was sad to leave everyone behind, but we knew that we’d be back again in October.

I don’t think I’ll ever forget the weekend at Young Critics, I saw some great plays, met some amazing people and learned some invaluable things. Roll on October!

 

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Jack Synnott is a member of Droichead Youth Theatre  in Drogheda, Co.Louth and an NAYD Young Critic for 2016

NAYD Young Critics Announced for 2016

A big thank you to everyone that applied for Young Critics.  This year the number of applications was an even bigger increase on last year’s applicants. We got a record breaking 47 applications for just 16 places.

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NAYD Young Critics 2011 at Project Arts Centre 

We are happy to announce that the Young Critics for 2016 are:

Colm Maye Activate Youth Theatre
Jane Byrne CYT – CYT – Cabinteely Youth Theatre
Savana Bartual Smyth Cork Institute of Technology – CIT
Rita Havlin Donegal Youth Theatre
Meabh Hennelly Dublin Youth Theatre
Jack Synnott Droichead Youth Theatre

Louis Flanagan Droichead Youth Theatre
Pierce McNee Dundalk Youth Theatre
Patrick Joy Footsteps Youth Theatre
Clodagh Healy Free Radicals Youth Theatre
Kate Brady Gonzo Youth Theatre
Emily McGee Kilkenny Youth Theatre
Ryan Finnegan Leitrim Youth Theatre Company Carrigallen (LYTC)
Ciara Lummis Play YT / Fracture Youth Theatre
Mary Condon O’Connor Play YT / Fracture Youth Theatre
Mathew Whitehead Sligo Youth Theatre

The Young Critics will be coming together for the first weekend from April 22-24th.

The first two productions they will be going to see are :

The Plough and The Stars 2016  by Sean O’Casey . Directed by Sean Holmes at the Abbey Theatre.

&

Tina’s Idea of Fun by Sean. P. Summers. Directed by Conall Morrison at the Peacock Theatre. 

International theatre academic and Toronto Star theatre critic Dr. Karen Fricker  will work alongside NAYD’s own Alan King to explore the fundamentals of theatre criticism over the coming months.

The Young Critics will be making  vlogs and writing reviews and you can follow their exploits here