My English Tongue, My Irish Heart by Martin Lynch. A Young Critic Review by Vinny McBrien

In the run up to NAYD’s Young Critics Panel on Sunday Oct 4th as part of the Dublin Theatre Festival, we are publishing a series of reviews from the Young Critics.

Over the summer months we asked the Young Critics to attend some shows in their own home venue. We asked them to make a short vlog review of the experience. We then asked a selection of them to turn these into written reviews. Dr. Karen Fricker offered some editorial advice.

With just a week to go until the Young Critics hit the Dublin Theatre Festival  we review My English Tongue, My Irish Heart by Martin Lynch

 Keith Singleton, KerrI Quinn, MargaretMcAuliffe & CillanODee. Image Credit Ruth-GonsalvesMoore ( 2015).

Keith Singleton, KerrI Quinn, Margaret McAuliffe & Cillan O’Dee. Image Credit Ruth-Gonsalves Moore ( 2015).

Green Shoot Productions

The Dock, Carrick-On-Shannon

Reviewed by Vinny McBrien

My English Tongue My Irish Heart, an in-depth look into Irish emigration to England across time, was both historic and intriguing to watch. The plot focuses on a 21st century couple, Susan (Kerri Quinn) and Gary (Cillian O’Dee), living in Dublin. He is from Mayo and is a bit of a culchie, while she is an adventurous young woman from Tyrone. She wants to emigrate to England, but Gary does not want to leave Ireland. The play also interweaves into the plot smaller stories of people emigrating from different periods in the past including labourers, bottle washers, and pickpockets. As the play moves from scene to scene, this sometimes becomes confusing, as it is hard to figure out what era the play is in or which story is being told. The script itself contains interesting facts about emigration but sometimes this becomes too much when a bundle of information comes at you all at once.

When the audience enters, we see Martin Lynch’s and Niall Rea’s set design of one large box in the middle of the stage with smaller ones piled on top. When the actors came out, they sing while moving the boxes; I found this to be a very clever metaphor for the work the emigrants were seeking in the new places they were moving to. The whole cast sang traditional Irish songs during the performance, and special praise has to go to Margaret McAuliffe, who is an amazing singer. The lighting is basic with spotlights on centre stage and to the corners, which would black out in certain scenes. The audience sits around the theatre, with some at tables. This works well in a pub scene, as it makes you feel like you are in the pub watching the action go on.

My English Tongue, My Irish Heart by Martin Lynch

My English Tongue, My Irish Heart by Martin Lynch

The acting is very believable and enjoyable. The actress who stands out the most is Kerri Quinn; her presence on stage, comedic character, and natural presence really make the production. One downfall is that the actors did not always play to the audience in this theatre-in-the-round. When the action was on the other side of the stage, I felt distant from the play.

This production aims to teach the audience about Irish emigration to England. While it does achieve this somewhat, in my experience the play is more educating than entertaining, and at times I lost interest. I would particularly recommend it to people who have an interest in history, and I have to compliment the cast and crew on their hard work and research, which was clear to see.

Vinny McBrien is a member of Leitrim Youth Theatre Company Carrigallen and an NAYD Young Critic for 2015

The Dock, Carrick On Shannon  kindly supported this event.

A Well Crafted Pair of Shoes. An NAYD Young Critics Review by Marie Lynch

mainManInTheWomansShoes

In the run up to NAYD’s Young Critics Panel on Sunday Oct 4th as part of the Dublin Theatre Festival, we will be publishing a series of reviews from the Young Critics.

Over the summer months we asked the Young Critics to attend some shows in their own home venue. We asked them to make a short vlog review of the experience. We then asked a selection of them to turn these into written reviews. Dr. Karen Fricker offered some editorial advice. The second in our series of reviews looks at The Man In The Woman’s Shoes by Mikel Murfi 

The Man in the Woman’s Shoes by Mikel Murfi

Loco and Restless Productions (production originally commissioned by the Hawk’s Well Theatre and Sligo County Arts Office)

Backstage Theatre Longford

Reviewed by Marie Lynch

Don’t take the title too literally! This play, written, directed and performed by Mikel Murfi, is not simply about a man in women’s footwear. Rather it gives us a look into one person’s enlightening, endearing life. I’m not one to usually enjoy one-man show as I think they can feel more like a recitation than a play with little or no action. However, during this performance I was completely immersed.

Set in rural Ireland in 1978, the play focuses on Pat Farnon, a country cobbler. We see him make a simple five-mile journey to town and back. We meet a wide variety of colourful characters along the way such as the iconoclastic Kitsy Rainey and conventional Huby Patterson. But the hook of this play is – Pat Farnon cannot talk. Instead of hearing him converse with others, we hear his thoughts, hopes and aspirations.

I admired Murfi’s characterization and ability to change from one character to another in a split second. It was visually pleasing and never hard to follow and understand which character was speaking.

Mikel Murfi in

Mikel Murfi in “The Man in the Woman’s Shoes.” Credit Vitaliy Piltser

The characters were perfectly scripted and you felt as if you were actually meeting locals from the town. The story was simple and told with good old Irish humour but never felt cheesy. It had a nostalgic feel which strongly affected the audience. Pat’s enthusiasm for life radiated onto the spectators continually throughout his ups and downs.

The set was bare. The lights were kept to a minimum and the only sound effects were made by Murfi himself who can play a very convincing dog. The design overall could have been perhaps expanded but for me it worked the way it was. The decision to keep the staging of the production so minimalistic was a clever device as it in turn reflected Pat’s simple life. This added to the play on a whole.

While this play had no complex plotline, it was full of life lessons and I thoroughly enjoyed it and found it ultimately uplifting. Murfi had a continual optimistic outlook and celebrated the life of ordinary people. It is a play for all ages and all walks of life. The play hooks you in from start to finish and I would highly recommend it.

Marie Lynch is a member of Backstage Youth Theatre and an NAYD Young Critic 2015.

Backstage Theatre Longford kindly supported this event.

An NAYD Young Critics review of My Second Self by Derek Masterson

In the run up to NAYD’s Young Critics Panel on Sunday Oct 4th as part of the Dublin Theatre Festival, we will be publishing a series of reviews from the Young Critics.

Over the summer months we asked the Young Critics to attend some shows in their own home venue. We asked them to make a short vlog review of the experience. We then asked a selection of them to turn these into written reviews. Dr. Karen Fricker offered some editorial advice.

First up, Olwyn Bell reviews My Second Self 
by Derek Masterson

My Second Self by Derek Masterson

No Tears Productions

Civic Theatre, Tallaght

With the successful marriage referendum a few months in the past and “Yes” posters nowhere to be found, some might forget how LGBTQ rights only recently started to become a reality in Ireland. My Second Self shows us the two different sides of homosexuality in our country and reminds us how we still have a long way to go for equality.

The play starts with Leyton telling us about himself through a monologue: he’s gay and that’s fine with him. Thommas Kane Byrne’s character is confident — maybe a bit too stereotypical! His apartment is filled with pictures of gay icons like Audrey Hepburn and Marilyn Monroe which sets the tone as light-hearted. He is a 23-year-old man and the whole world is his stage. He is the embodiment of the “gay best friend” and maybe he uses this to hide his softer side.

Then we meet Paul (Barry Roe), who is seemingly the opposite of Leyton — a well-put together man in a three-piece suit, drinking coffee in a humble cafe. But he is like Leyton in one way: he’s gay. He meets Leyton just after attending his son’s funeral. It is revealed that Paul’s son committed suicide after coming out as gay. His son’s worst nightmare came true when his mother reacted badly to the news. Paul’s reaction is guilt as he lost his son to his own shame of being gay and not being as strong as his son to admit it.

One half of the stage is dedicated to Leyton’s apartment while the other is the cafe. This staging really worked as we see the metaphorical connection of Modern and Old Ireland. When Leyton and Paul meet at centre stage, older and younger generations come together towards a deeper understanding of homosexuality.

This play has a message of understanding: Ireland is changing and homosexuality is becoming a part of everyday life. People like Leyton are able to love who they want without much prejudice, while Paul had to hide his sexuality away. But this doesn’t mean that Leyton hasn’t got other problems to face. We see his feelings in a dream sequence in which both Leyton and Paul communicate their inner thoughts. The real Leyton, a broken man who needs his father’s love, contradicts the upbeat party animal we met at the start. Paul has hidden problems as well; we see his shame about being “a gay man in a straight situation” and about not being there for his son. This scene allows for deep character development.

My Second Self did an excellent job in showing the evolution of homosexuality in Ireland. We are given the older vision through Paul and the contemporary side with Leyton. Even in modern times, we see that the two men have lost something because of their sexuality: Leyton lost his father while Paul lost his son. This play has tragic elements with a mixture of comedy to make us realise that prejudice and fear around homosexuality are still a real thing.

Olwyn Bell is a member of Tallaght Youth Theatre and an NAYD Young Critic for 2015.

Join us on Oct 4th at 1pm to see the Young Critics in Project Cube as part of Dublin Theatre Festival. 

The Civic Theatre Tallaght kindly supported this event.

Underneath by Pat Kinevane, a Young Critic video review

Maryanne Brasil from Free Radicals Youth Theatre in Tralee offers another Young Critic video review.

Here Maryanne reviews Fishamble’s production of Underneath by Pat Kinevane, following it’s performance at St. John’s Theatre in Listowel,Co.Kerry.

Underneath is currently at the the Edinburgh Fringe at Dance Base until Aug 30th.

Maryanne Brasil is a member of NAYD Young Critics for 2015

A Summer of Shows with The Shadow Of A Gunman

It’s been a fabulously productive summer for this year’s Young Critics.

As part of our summer initiative, and with the support of their local arts centres and venues, they have been seeing productions the length and breath of the country.

They selected a show and  planned a theatre trip for their youth theatre friends. Their own curatorial skills were being put to the test as they selected a show that would hold the interest of their peers.

The range of productions they have managed to see has been truly impressive. There was lots of New Irish Writing on display with many shows touring to local arts centres. The One Man Show is a staple of the touring circuits and there was no shortage of these on offer.

Young Critics Summer Shows

Several Young Critics went to see Mikel Murfi’s sublime The Man In The Woman’s Shoes, and Pat Kinevane’s equally sublime Underneath.

Michael Hillard Mulcahy’s After Sarah Miles, set in Dingle, was attend by Dusigh’s Young Critic from Tralee.

The two Young Critics from Footsteps Youth Theatre attended Seamus Moran’s Have a Heart at the Friars Gate Theatre Kilmallock, Co.Limerick.

There were also plenty of full productions on offer including An Grianan’s touring production of Frank Pig Says Hello by Pat McCabe and Martin Lynch’s My English Tongue, My Irish Heart.

There were World Premieres aplenty with Co. Carlow Youth Theatre members being treated to Jockey by Willfredd Theatre Co at Visual, Carlow.

Before Monsters Were Made by Ross Dungan was another World Premiere at Project Arts Centre as was My Second Self at the Civic Theatre and The Ballad of Charlie & Cate at the Cork Midsummer Festival.

Our Young Critic from Donegal Youth Theatre attended Annie The Musical at The Balor Theatre.

Finally Niamh Murphy, one of our Young Critics from County Wexford Youth Theatre attended Sean O’Casey’s The Shadow of A Gunman at the Abbey Theatre in Dublin.

Here is her very fine video blog review of the production.

Have you seen the show?

Would you agree with Niamh?

Local Arts Centres and Venues Support NAYD’s Young Critics

Hello Venue Managers,

As you probably know the Young Critics is one of NAYD’s most popular programmes. Every year sixteen young people from across Ireland are selected to take part in the programme. Typically this involves two residential weekends each year in which the Young Critics get to see up to five professional theatre productions, participate in many workshops around the art of criticism and then take part in a public panel discussion as part of the Dublin Theatre Festival. NAYD fully subsidises all costs for the participants.

Last year we piloted some new and exciting angles to the Young Critics Programme and were able to expand the Young Critics programme beyond those lucky sixteen that get to take part.

Through a partnership approach we are involving more young people in their local communities, developing stronger relationships between venues and youth theatres and helping to build and sustain local audiences for theatre in that community.

Photo credit Allen Kiely

NAYD Young Critics 2014

We are approaching local Arts Centres and venues to come on board to help support the development of the Young Critics.

Between now and the end of May we are asking the Young Critics to become programmers and select one professional production that they feel they and their fellow youth theatre members might enjoy. With the support of their youth theatre leader they will then organize a theatre trip to a professional production in their local Arts Centre or venue.

We are asking venues to include their local Young Critics on their mailing lists and also offer them two complimentary tickets to a suitable professional production in their venue between now and then.

It is also hoped that the venue could offer each youth theatre a Special Youth Theatre Group Rate to that performance. You probably already have this in place anyway it is the perfect opportunity to introduce one.

The Young Critics will then do a short video blog on the piece they saw and submit it to NAYD. From here, four of them will be invited to write reviews for the Young Critics Blog.

These reviews will then be published and freely available to all.

The benefits are huge for all involved. The venues will be building new audiences and all the young people will get to see even more quality theatre at discount prices. This should encourage them to go and see more theatre and broaden their love and knowledge of the art form. As cost is one of the biggest factors in not attending theatre we believe that once the spark is ignited, and there is an added incentive to attend, they will choose to go to more and more performances over the coming years. This will also have a very a major positive impact on how they make their own theatre.

All partner venues will be fully credited on the NAYD website and will be thanked in person on the day of the Young Critics Panel during the Dublin Theatre Festival.

If you had any insights on how we could make this offer more attractive or any other insights you might have we would welcome your input.

This has already proven to be a really worthwhile departure for the programme and one that we would hope to develop and establish over the coming years.

We look forward to working with you this year.

Update

The response from venues has been amazing. We are adding to it daily. So far the venues that have come on board to support the initiative are:

The Riverbank Arts Centre, Newbridge, Co. Kildare

Project Arts Centre, Dublin

The Dock, Carrick On Shannon, Co. Leitrim

Civic Theatre Tallaght, Dublin

Backstage Theatre, Longford

Axis Ballymun, Dublin

Friars’ Gate Theatre & Arts, Kilmallock, Co.Limerick

The New Theatre, Dublin

 Visual Centre For Contemporary Art & The George Bernard Shaw Theatre, Carlow

 

 

NAYD Young Critics Announced for 2015

Young Critics Applications

Following our call out for applications at the end of January, we are delighted to announce that  the Young Critics have been selected for 2015. We received a huge amount of applications for the 16 places from across the country and we were able to offer places to a broad selection of youth theatres nationwide.

The Young Critics for 2015 are:

Thomas Caffrey – Droichead Youth Theatre 

Dara Eaton – Co.Carlow Youth Theatre

Somhairle Brennan – Letterkenny Youth Theatre

David Ronan – Co. Wexford Youth Theatre

Ryan Doherty – Donegal Youth Theatre

Vinnie McBrien – LYTC Carrigallen

Maeve Doyle – Footsteps Youth Theatre

Christine McNamara- Footsteps Youth Theatre 

Aisling Clark – Duisigh Youth Theatre

Marie Lynch – Backstage Youth Theatre

Niamh Elliott Sheridan – Dublin Youth Theatre

Niamh Murphy – Co.Wexford Youth Theatre

Maryanne Brassil – Free Radicals Youth Theatre

Aisling Sargent – Dublin Youth Theatre 

The first weekend of Young Critics will be happening from April 10-12 and promises to be an action packed weekend of shows, workshops, discussions and fun.

The two productions we will be going to see are:

Pals – The Irish at Gallipoli by ANU productions, at the National Museum of Ireland, Collins Barracks. Directed by Louise Lowe.

And

Romeo and Juliet by William Shakespeare, at the Gate Theatre. Directed by Wayne Jordan.

Under the watchful eye of Dr. Karen Fricker and NAYD’s Alan King, the Young Critics will be guided through the elements of theatre and the art of criticism.

We will be keeping you posted about this year’s Young Critics as it happens.

NAYD Young Critics 2015 – Applications

‘Young critics was an amazing experience and it was one of the best things I’ve done in youth theatre.’ Young Critic 2014

NAYD Young Critics 2015 - Applications Open

WHAT IS THE YOUNG CRITICS?

Returning for a twelfth year, The Young Critics is one of NAYD’s most popular programmes.

It is open to NAYD affiliated youth theatre members who are interested in watching theatre, discovering how and why theatre is made, and learning how to critically discuss, analyse, and review theatre.

Over a six-month period they will see some incredible shows, make new friends and learn about the art of theatre criticism.

This is a very exciting programme and one where young people are given an opportunity to see quality productions, while developing their critical skills in a safe and encouraging atmosphere. This will allow them to develop their own critical voice and express their views in a confident and knowledgeable way.

There are only sixteen places available to youth theatre members from affiliated youth theatres around Ireland. If you are in any way interested, we would encourage you to apply.

WHAT HAPPENS DURING THE YOUNG CRITICS?

The Young Critics will meet in Dublin from Friday April 10th to Sunday 12th for the first time and again in October. Over the two weekends the Young Critics will attend at least four theatre productions, and participate in workshops and discussions with leading international theatre critic and academic, Dr Karen Fricker and Alan King, NAYD Youth Theatre Officer.

In October, the group will meet up in Dublin again to see further productions, take part in more workshops and participate in a public panel discussion.

In between the two residential weekends, the Young Critics will be encouraged and supported to go and see other local productions, write some reviews and contribute to the Young Critics blog.

HOW DO I APPLY TO TAKE PART IN YOUNG CRITICS?

Participation in the programme is free: accommodation, food, theatre tickets and travel costs are covered by NAYD.

It is open to youth theatre members who will be aged 16 – 20 by April 1st 2015. We are looking for young people who are comfortable meeting new people, working in a highly focused way and are not afraid to share their thoughts and opinions with each other.

To be a Young Critic you must be fully available for both weekends. You must also be available to take part online and organise a theatre trip in your own area in between the two residential weekends.

NAYD will have welfare leaders in place on both weekends to ensure the wellbeing and safety of all participants.

Applications for 2015 are now closed.

The buzz is electric – NAYD Young Critics Programme was an enlightening experience.

 

Photo Credit: Allen Kiely

NAYD Young Critics 2014

As the Young Critics programme draws to a close for 2014, Emma Gallagher from Greise Youth Theatre reflects on her experiences as a Young Critic.

‘The buzz is electric’ Dublin Theatre Festival director Willie White told the Irish Independent, and I could say the same for our experience in The Young Critics Programme. It is frightening to think it was around Easter time that I set out for my very first Young Critics weekend.

Oscar Wilde, Anton Chekhov and Owen McCafferty were names I knew a little about. That was until we started the workshops. Working with Alan King and Karen Fricker was like working with two theatre knowledge generators and I mean that in the best way possible.

I was so surprised to how in depth we actually we went into critiquing a play. In only two weekends our knowledge of theatre and all its aspects had expanded immensely. It was a real eye opener, exploring each element that can make a production special. From lighting to sound, music, and set to costume design, performers, writers and directors, the collaborative work put into productions is truly unique.

I became aware of the different types of theatre, from classic and contemporary to immersive, all of which we got the pleasure to experience. These were fantastical productions that had my mind blooming with new ideas.

An Ideal Husband at The Gate Theatre was a real treat. I was astonished by the intricate detail and energy that had been put into this one show. It was a wondrous romantic comedy enriched in Wilde’s dark and delightful witticisms.

Being involved in The Young Critics Programme really opened my eyes to the different professions within the world of the creative arts. From listening to director Gavin Quinn speak about Pan Pan’s colourful and playground like production, The Seagull and Other Birds to the ever so sweet Marty Rae speak as openly and answer our questions about his experiences working as an actor.

Over the summer we were allocated the activity to bring each of our Youth Theatre’s to a new production in our own local venues.

Swing written by Steve Blount, Peter Daly, Gavin Kostick and Janet Moran, also directed by Peter Daly and starring Steve Blount and Janet Moran was a popular choice between The Young Critics participants. It received very positive feedback from a lot of the young people.

The Arts Centres kindly offered our Youth Theatre discounted tickets and NAYD organised a post-show chat with the cast of the production.

It was really interesting to hear how the show came into development and hear the actors speak about their character work in preparation for their roles.

Next was the video blog review of the play we chose to see. For the technophobes- I include myself in this category, this was a tricky challenge in which a few awkward techie problems occurred.

However, once I did manage to record a decent vlog, I actually felt I had really achieved something and it wasn’t half bad either. Having said that I won’t be the next Quentin Tarintino by any means but it was a very beneficial task and I think it will be of use in the future.

Spending two weekends with the young people from other Youth Theatres was splendid to say the very least. It was interesting to hear how different Youth Theatres’ work. We shared a lot of laughter and a couple of the members even shared a few tears during Ganesh Versus The Third Reich. It was a very touching production for a lot of people, so much so it received a standing ovation.

Photo credit: Allen Kiely

NAYD Young Critic Emma Gallagher Photo credit: Allen Kiely

On the 5th of October The Young Critic’s Panel was held in The Project Arts Centre in Dublin. We had butterflies as people working in the shows, theatre folk and even Willie White attended. At first it was scary speaking about our honest opinions as a critic of the productions but also liberating too. I find public speaking a struggle, but this experience of sharing your thoughts openly about something you genuinely love and interests you was a real stepping-stone for me.

The buzz is electric – in the presence of people who are passionate about their work, their energy radiates. As Anton Chekhov said ‘knowledge is of no value unless you put it into practice’.

Young Critics inspires to create action in the world of the arts.

 

The Young Critics say goodbye for another year  Photo credit: Allen Kiely

The Young Critics say goodbye for another year
Photo credit: Allen Kiely